file: GreenGrow01.doc

We do not know the original language or age, much less the original exact wording. My interpretation can only be a very crude approximation at best. The last large large group to understand this metaphysical code was the Knights Templar and Masonic offshoot.

I wish to emphasize that the following esoteric comments CAN AND ARE NOW APPLIED in group processes intended to increase the efficiency of light groups in the same way used by the inner core Templars. This is a large, complex science but it can be simplified in practice.

(The following is the song version sent to Joseph Wilson by Robert in 1966. Commentary by Rev. William Buehler, 2003, in Crestone, Colorado, USA)

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GREEN GROW THE RUSHES - O

I’ll sing you One-O
Green Grow The Rushes-O
What is your One-O?
Green Grow The Rushes-O
One is One and All Alone,
And ever more shall be so!

I’ll sing you Two-O
Green Grow the Rushes-O
What is your Two-O?
Green Grow The Rushes-O!
Two, two, the Lily and the Rose
That shine both red and green-O.
One is One and All Alone,
And ever more shall be so!

Three, three the Rivals

Four for the Four Wind-Makers

Five for the Symbol at my Door

Six for the Lady’s Bower

Seven for the Stars of Heaven

Eight for the April Rainers

Nine for the Nine Bright Shiners

Ten for The Lady’s Girdle

Eleven Maidens in a Dance

Twelve for the Wren in Ivy

I’ll sing you Thirteen-O
Green Grow the Rushes-O
What is your Thirteen-O?

COMMENTARY: "GREEN GROW THE RUSHES - O"

COMMENT:

"Green Grow" may be a contraction of "Girnigoe", the name of the Clan Sinclair castle in Caithness in Northern Scotland. This castle, relative to the cathedral in Thurso is a major grid point in a grid system including Orkney, Shetland and most of Northern Scotland south to Spain and beyond. This grid system was secret within the Templar inner groups and most surprisingly it was first installed about 10,000 BCE for THIS PRESENT ASCENSION PHASE.

Girnigoe Castle in Bay Sinclair was, and is, a primary control point in this huge grid system.

The "Rushes" may relate to "Reeds" having hollow stalks, representing pillars or tubes of light. The grid science ("Reshel": Chief Head Stone of God) uses such a form of two gate systems (Ps 118:18-23). Further, the "reed' is the word "chen" in Hebrew (reed, rod, shaft, tube, radius of the arm, beam; to erect, create, procure). This word is spelled three ways and in Genesis gives us three functions of creation as a basic triunity of Grace, the pillar connective, and the basic form. When one is used, all three are assumed.

The "rushes", as in Isa 35:7, refines the function when we integrate "…grass with reeds and rushes…" or the meanings of "bulrushes." These larger definitions are beyond the scope of this overview paper.

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I’ll sing you One-O
Green Grow The Rushes-O
What is your One-O?
Green Grow The Rushes-O
One is One and All Alone,
And ever more shall be so!

COMMENT: One is One and All Alone: "One is/equals One" gives us two, one on each side of the equation. This duality is only One in synergic unity however. Viewed as a "Dione Couplet", 1 = 1 the "=" sign in the center represents a two-surfaced "teleplane" or basis of a subreality within a larger Continuum Reality. IE, a new creation. The "Nothingness", Life, is the Unmanifest space between the planes. This is the "Yahway" format: H V H Y or:

Where the two human figures: letter Hey (#5) represent the Magna Soul connected by Vau (#6) as a connective. The letter YUD is an L-Gate or "Chief Head Stone that becomes the Corner" in the sense of Ps 118:18-23. The Yud transfers divine codes into the polarity matrix. The letter Aleph, #1/1000 does the same thing but a "bullock" was not used in the song.

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I’ll sing you Two-O
Green Grow the Rushes-O
What is your Two-O?
Green Grow The Rushes-O!
Two, two, the Lily and the Rose
That shine both red and green-O.
One is One and All Alone,
And ever more shall be so!

COMMENT:

"Two, Two, the Lilly and the Rose …" Two-and-two is from the "72 Disciples, 2 and 2…" in Luke 10:1-17. The 2-2 translates in Hebrew as bah-bah: the pupil of the eye, to hollow out (create the Selah/Unmanifest basis), a gate. This is also the same Dione Couplet as above but is the DUAL DIPOLE version, ie the name of God Ehye Asher Ehey (I Am That I Am) but in protosiniatic Hebrew used by the Templars. This is a larger creation formula noted in the Luke reference, an more efficient formula and expansion of the 1 = 1.

"…shines both red and green." The "shining" has several word associations but the most relevant is the "72" used in Luke. 72 or "Ab", spelled two ways, means "Father, and also Cloud, obscurity, etc." This cloud is the Cloud of Glory often mentioned; an example is the cloud and pillar/bow: Gen 9:13-16, Ex 13:21-22, of dozens of references. The "cloud" is the flux of codes that imprint into the Selah field. Here the codes are in terms of the lily and rose, both being red and green.

In the Dione couplet the green is the male pole and red is the female color of initiation of form. But the dual dipole has two subpoles in each pole so the lilly (female) and rose (male) would be the two dipoles. Green will assoicate with the EMERALD MAR or basic time continuum relative to the Ascension, being a primary color of light with Red and Violet. The Red and Green also show up as the TWO GENERATING POLES IN REVELATION, the 2nd and 4th Seals. Each pole will have a lilly and rose subpole. These flowers relate to illumination in the East (Lily) and West (Rose). This generating axis of Revelation is best correlated with the Dione Couplet.

Again this harkens back to the "One and One" or basic Yahway format.

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Three, three the Rivals

COMMENT:

Here "three" is repeated twice, as was the "two, two" above. I am using the same approach: that there are two poles of three each. This is another more advanced version of the two, two or dual dipole generators. Here the "three" would include a central pole between the two in the dipole. This middle pole synthesizes the right and left brain functions of the outer two in the same pole.

ALSO it can represent two triangles in OPPOSITION (rivals), which when interpenetrated gives us the Key of David (Rev 3:7-13) or 6 pointed wheel. In the Reshel grid this is called the HAEPATHIA: "To move past the 'point of no return,' that is, to engage fully." The Key of David has a number of functions within the Reshel grid.

The Trinity is the basic "three" … The SatChitAnanda, or other Trinity first functions in the creation process. The old stand-by "Father, Son and Holy Ghost" is not a Trinity that stands by itself, being only the male side. The female: "Mother, daughter, Creation (or equivalent)" is the other "rival" (opposed) triangle.
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Four for the Four Wind-Makers

COMMENT:

These are clearly the "Four Winds." Some versions use the Four Gospels here. The Gospels give us a better "4-Square", containment field. They are based on the 4 creatures of the astrological Fixed Cross. These are also found in Revelations' first 4 Seals. The 4 directions of Manifestation will usually have a color and logo creature or object associated with each direction.

The "wind" or breath goes more deeply into the Hebraic/Templar mysteries via the letter PEH, which was drawn as an L-shaped tube that "Blows the desire into 4 corners." That is, the "Holy Breath" which is the 5th river or breath that creates 4 breaths or rivers. (Refer Genesis and the creation of Eden or Maitri Upanishad 2.6. )

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Five for the Symbol at my Door

COMMENT:

Every creative action uses three formats: (1) a 5/10 format for seed definition, (2) 3/6 for initial creation and to create a pillar-connective; and (3) the 4/8 for manifesting form. We've gone through the Selah field, 3 and 4 functions and now the "5" provides the seed or HOLOS universal 5-matrix for seed codes "at the Door" (of created form). The symbol would be the penta-star and the "door" in the Hebrew alphabet has several symbols. The most obvious is the open door in the letter Beyth, #2, which shows a 4-square house, room, etc. with an open door. The most basic door is the Blue Hole or Black Hole (formed by grace, not gravity), or the Selah, Silence, Void, Dark, Rest… ie the Unmanifest God beyond light and angels, et al.

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Six for the Lady’s Bower

COMMENT:

"Six" as a bower would be an enclosure or room (Shekinah: dwelling). The 6-pole wheel or Key of David also forms a cube-sphere but using 8 points. This could be the Lady's Bower but I am more interested in the letter "Cemak" (#60) which was drawn as a TREE defining 4 realms: ie the Cabalist's Tree of Life with its 10 sepheroth. This is a direct connection to the ASHER of the "Tree/grove of 10" or the leafy bower of 10 trees. This appears in the Hebrew alphabet's "6-column."

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Seven for the Stars of Heaven

COMMENT:

There are the 7 Sisters ie the Pleiades… the heart of Taurus: or Aleph in the alphabet as the primary creation field. There are also the 7 stars in Ursa Major: the cup emptying its 3 drops (Druidh means "empty cup). Both are relevant with Ursa Major connecting the North Gate (Polaris) into creation via the cup and 3 drops of elixir.

However the Goddess represents Creation/Cosmos. Her number is "7" ie the "SHEEBA" where the 8th point is the male inseminator. Since we are using stars in this sequence I suggest that the Sheeba/Shakti of the Goddess be correlated with the Cup and with the heart of Taurus, and the "MA" core beam from the Pleiades.

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Eight for the April Rainers

COMMENT:

This is hard. April is the vehicle of the "8" and rain is its expression. "April" is from the Latin "aperio": to open. The Earth is opening to new process/growth/seeding. The sign is Taurus (alpeh in the alphabet: divine creation field and the first step in creation)

RAIN is most emphatic in the Genesis Rain of 40 days (the mayim number: waters) and the resulting Noah/Ark scenario (the Gaelic for rain and the boat is the same: barc). The Flood scenario is a large creation sequence describing Time and working with it. "Noah" is seriously mistranslated and should be NOACH (Silence, Rest) where his 3 sons are a primary trinity in the creation of Time sequence. The water surface (sea, lake, etc. or linn in Gaelic) is a "teleplane" which is two layers as in a two way mirror.

Falling rain is the connective between the high and low waters, also a cataract (linn), or the Worm hole connecting the two levels of Time. (This is Reshel technology.) The Hebrew alphabet, letter Cheyth, #8, is drawn as the two planed but connected by three lines. In the context of the Templar secret processes and much of scripture these three connectives (666 in the number's vector of true meaning) would be used as Time harmonics in the primary "Layooesh" light tube connecting the Metatronic or Real universes.

In this case, the upper plane is the Metatronic and the lower is the fallen continuum: this one. The Cheyth glyph would be illustrating the action of connecting with this fallen continuum from the Past, Future and the high/valid heavens in this one, the "Present"… all within nonlinear Time. The two planes can represent many continua that can not be directly joined… as Matter and Antimatter… except by the special Layooesh pillar.

The letter Peh, #80, uses the L-Gate or Time gate system to facilitate the "8's" main function. "8" is also the connective function out of a 7-Octive format transitioning into a higher 7-Octive system.

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Nine for the Nine Bright Shiners

COMMENT:

"Bright Shiners" is another hard call. We immediately think of stars but these could as well be angels or any light source or reflector. Hebrew has 6 words for shining. One fits best with "9": 'owph: shine forth or dim, cover with wings, fly a bird, faint in darkness.

#9 in Hebrew is the letter Teyth, drawn as a Sun Wheel with a cross in it. The alphabet charts the Earth and individual soul (the cross of Tav) as merging into the Sun and showing up as Teyth. The letter Tsady (#90) below it is the Stem of the plant and the two are the "Stem and Blossom" with other functions of drawing back "up" via photosynthesis… the New Earth-Star… and other important connections. The BIRD is the Solarian group working across the Time continua to make Ascension happen via the Messiah/Avatars, and their light programs. The Solarian "WINGMAKERS" is one such major program.

The Wing also has other connections: the feather of MAAT (right action, truth), the feather used in the Elsia Exchange (communication system between universes of matter and antimatter).

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Ten for The Lady’s Girdle

COMMENT:

"Girdle" is "chesab: to plait, interpenetrate, weave, fabricate, to plot or contrive, think, regard, value compute, a belt or strap." "10" is Yud, drawn as a bent arm: an L-Gate or Time Gate. Further, the "10" relates to Asher (above) as cosmos and the Cabalist Tree of Life, Raa and Towb. Putting all this together gives us the various codes describing the action of Manifestation. However, also within the Shekinah or Goddess: the cosmos as the place of habitation and form-creation… all a female function at the highest levels.

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COMMENT:

The Dance: "chiyl: to twist or whirl in a circular or spiral manner, a circle, sand as round or whirling particles." In most systems the "dance" is related to the act of creation: motion and music, etc. This is the same, the whirling spiral being the basic vortices in every created form. This process is the function of the female. The sand, as billions of small "stones/reshes" describe the continuum as a plane of thought forms. This is also the "wilderness" often associated with the number 40, the time continuum or "waters of Time."

"11" adds the 1 of the Aleph (divine creation field) and 10 of the Yud (ability to manipulate Time gates in refined applications). This step invokes the ability to generate votrices used in the creation action but also the mastery of Time.

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COMMENT:

The wren is archetypally the smallest bird, thus the microcosm or "mustard seed"… the divine essence generating Life within the Seed. The collective sacred birds are also the Solarian symbol. Ivy possibly implies the use of the TRUE VINE. This has multiple meanings: the True Vine of the Christic blood in Yeshu's and the Magdalene's son John Martinus (conceived after Yeshu's ascension in the Metatronic manner of etheric insemination). The True Vine would also track the Christic blood/DNA through the Merovingian line and beyond. And it would track the power and mission of the Knights Templar from France into Scotland and Portugal after the Albagensian Crusade.

However the most important universal application is in John 15:1 where the Vine formula uses the three chens found in Genesis, when the English/Greek is translated back to Hebrew. This is a large study.

"12" is the complete Wheel and Zodiac reflected in the 12 Tribes and Disciples and many other pantheons. Of the 12, the primary "12th" and special sign is in Leo where the Central Sun of all Central Suns, the Sacred Heart of God (Manifest) is embodied in the Golden Star MAZURIEL, found in the area of Denebola in Leo within the fallen cosmos.

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I’ll sing you Thirteen-O
Green Grow the Rushes-O
What is your Thirteen-O?

COMMENT:

After the whole "12" is formed the next phase is the activation of the 13th Sign with the mastery of the Bird-Serpent Staff of Aesculpius, for healing, redemption, and regeneration. The 13th Sign forms a spinner spoke which activates and regenerates all 12 signs.

Thoth Raismes describes the 12 and 13 functions in my following discussion with him (the Thoth is translated by Rev Mtr Maia Nartoomid). This is in the context of the Crop Formations (Olmahns):

END OF COMMENTARY: This has employed basic codes probably used by the Knight's Templar and early Masons in the 14th Century CE onward into the 18th Century. The "RESHEL" system was again rebooted in the 1970s in Hawaii and continues today as a continuation of that earlier time. This commentary is only a sketchy overview of many very complex systems in the Judeo Christian mysteries understood by the inner core Templars. Evidence of this still exists in the geometry found in the Marian Cathedrals, Earth Grids and in reading the higher Akashic Record.

To this I would add:

Although most of my cosmology is based on the translations of Thoth Raismes of Aphra as translated by Rev. Maia Nartoomid, this does not suggest that either Thoth or the Rev's. Maia and Simeon Nartoomid would necessarily agree with my use of the information. I have, however tried to stay with one info source, often referring questions to Thoth/Maia mainly to provide a level of continuity to my own approach to these Metatronic systems.

William Buehler,

Crestone, Colorado USA

23 Dec 2003.